UPCOMING AUDITIONS

AMERICAN IDOL® began its 14th season nationwide search for the best undiscovered talent in the country and later this year, AMERICAN IDOL® XIV will be headed out on the annual “AMERICAN IDOL® Audition Bus Tour.” Cities to be visited include Columbus, OHIO.

Acting in Columbus was contacted by AMERICAN IDOL Producers seeking talent for their "fast track" auditions. This audition opportunity is available for Acting in Columbus students and alumni only - please contact Richard Mason at actingincolumbus@yahoo.com to be submitted.

MadLab Theatre will be holding auditions for the play Memory Fragments. Auditions will be readings from the scripts and will be held on July 19th from 12- 3pm at MadLab at 227 North 3rd Street. Seeking males and females 18+ for several roles. For more information or to request a copy of the scripts, please contact director Andy Batt at andy@madlab.net. 

Memory Fragments will take place from October 16-18, 24-25, 31-November 1, 2014.

'LIGHTS OUT' will be shooting October 17-20 in Ashland, OH.

'Lights Out'is about a man named Bruce who is afraid of the dark. While visiting his childhood home left to him in his mother's will, he gets caught in a blackout, forcing him to face the origin of his childish fear.

Breakdown:

George (male 26-35): One of Bruce’s(the protagonist) only friends. He really cares for Bruce, but is too caught up in his own affairs to be proactive about helping him. George is successful and has the typical lawyer attitude and has an impeccable taste in style.

Little Bruce (Caucasian male 9-12): Bruce as a child (about 10 years old) is timid and always walking on eggshells around his mother. He has seen her at her best and seen her at her worst only he doesn't know when she will snap and start screaming at him for a seemingly insignificant mistake.

Bruce's Mother (Caucasian female 26-35): She is a perfectionist, and wants Bruce to be the best. Her house is kept immaculate, portraying her desire for perfection. She is so nice when she is in a good mood(like a fake overly nice) but when she is angry everyone knows it, and she is a monster. The source of this anger is from abuse from her past that she has repressed and only comes out when she is not in control.

Old Wise Man (Caucasian male 60-75): God-like all knowing man, who supports Bruce in his search for inner peace, and gives him his ultimatum to overcome his fear or to let it kill him.

Actors should contact jackstudenyfinlay@gmail.com with the subject line “Casting: [character] - [full name]” to set up a meeting.

Jack Finlay
jackstudenyfinlay@gmail.com
www.jackfinlayproductions.com

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ADVANCED ACTING FOR FILM STUDENTS Presents 'THE JURY'

Acting in Columbus presents...'The Jury' based on the original 1957 teleplay '12 Angry Men' by Reginald Rose featuring the Advanced Acting for Film Students - Spring 2014 Class

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Final scenes from the ACTING FOR FILM CLASS - Spring 2014

Final scenes from the ACTING FOR FILM CLASS - Spring 2014 Session. Scenes from the film 'DOUBT - A Parable' by John Patrick Shanley.

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ACTING FOR TV COMMERCIALS

Saturday, July 26, 2014 1:00pm-8:00pm $200

This class is limited to 12 students.  Early registration is recommended. Click here to REGISTER. 

Lose those nerves, gain confidence and learn to audition like a pro! You will  learn how to make  the first contact with the agents. By taking this class you have  the  opportunity to show the agents that you are serious about pursuing this type  of work. If you already have an agent but want to increase your "Bookability" this workshop will give you the edge over your competitors (ask your agent, we're confident they will agree!).  This workshop will give you experience with the  actual  audition process. You'll work  on-camera all day doing both prepared and cold readings, and receive plenty of  feedback from instructor Richard Mason.

Script analysis skills: We have  written our own textbook that breaks this process down and makes it simple. Comfort in front of the camera: How do you stand? How do you hold the  script? How do you deal with your partner and the camera at the same time? What  is a slate? What do you do with your hands?

Practice at doing all types  of commercials: Scene work, improv, one-liners, bite and smiles, handling  products, etc. You'll also learn how to market to the casting directors, all about pictures and resumes, how the unions work, etc.

Acting in Columbus Instructor Richard Mason's OHIO LOTTERY COMMERCIAL "Magic" from Acting in Columbus on Vimeo.

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6 Secrets to Building an Acting Career from Michael Emerson

Person of Interest star Michael Emerson

Theater and screen actor Michael Emerson may have uncovered the mystery to success: There is no right way. “This is one of those tricky businesses where there are a lot of intangibles and a lot of different ways of going about it.” His career may not have taken off until his 40s, but he’s making up for lost time with back-to-back TV hits: first as Ben, the memorable leader of the Others on “Lost,” and now as the mysterious billionaire Harold Finch on “Person of Interest.”

Emerson didn’t want to jump in to just any show after “Lost”—he wanted the right show. So when the pilot he and “Lost” co-star Terry O’Quinn were developing with Bad Robot was put on hold, Emerson was ready to consider other Bad Robot projects. “I didn’t want to jump into anything too soon. I also didn’t want years to go by before I showed my face again.” When he read the script for “Person of Interest,” the intelligent, fast-paced writing, and mysterious, multi-layered, complex characters erased any reservations he may have had about returning to TV.

Emerson shares how to create characters you want to watch and how to navigate career delays.

Training is never a waste.Emerson says that despite the long road, “I don’t regret a moment of my stage training;” it not only taught him how to create character and deliver lines, but also provided the opportunity to develop a strong work ethic. In Emerson’s mind, the actor’s main responsibility is to deliver the words. “A lot of my work is analyzing, analyzing, analyzing the script, the text I’ve been given, the lines I have to say and thinking how they best work…how they are most real, but also the most stylized or artful.”

Learn to roll with the punches.With little information to go on for either of his TV shows, Emerson learned to just roll with the story. “In a way it’s better if you’re not too aware of the longer arc or where things are going, because then you might begin to play [in] things prematurely or you might start trying to steer things in certain ways.” So he focuses on staying in the present. “Which is a funny thing to say since I’m on shows that are always bouncing around between the past and the future. That to me, particularly on ‘Lost,’ was the best way for me to negotiate all that inter-dimensionality: flashing forward, sideways, and back all the time.”

Mystery is good.Emerson has played a number of mysterious characters in his career and his role as Harold on “Person of Interest” is no exception. He likes keeping the emotions hidden in layers. “I really do subscribe to mystery. The actors I like best are those who I just cannot figure out or sometimes I just can’t figure out the way they talk or why they talk that way. It makes me listen.”

Keep the stakes high.Emerson is a master at intense scenes. “I like scenes where I’m in a very still, small space with someone very dangerous and there’s a bit of cat and mouse going on. We’re trying to read each other but the stakes are terribly high, like playing chess with Enrico Colantoni when he was our villain.”

Leave your comfort zone.Emerson has excelled in many physical scenes that forced him out of his safety zone, like some of the high-speed car chase scenes and even handling weapons. But ironically, one of his most challenging moments was his first on-screen kiss. Luckily it was with his real-life wife, Carrie Preston, who plays Grace the love of his life (and the one who got away) on the show.

Don’t be desperate.“The thing to get rid of is that you are the beggar at the gate, that you are the powerless and helpless eager youngster wanting a crumb from the big table,” Emerson says. “It’s a bad mindset and it doesn’t help you to audition well.” Confidence is important: “At some point, you have to empower yourself and say ‘You know what, I’m good at this.’”

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BOOK OF THE MONTH

The Actor's Encyclopedia of Casting Directors: Conversations with Over 100 Casting Directors on How to Get the Job by by Karen Kondazian

Karen Kondazian has compiled inside information from talking to the premier casting directors in film, television, and commercials from New York to Los Angeles. 

REVIEW: While I'm not in the habit of recomending industry books, I do praise Karen Kondazian's, The Actor's Encyclopedia of Casting Directors. It's a highly practical, intelligently written work that will be an asset to any working actor or newcpmer who hopes to find work. The information dispened in the Q&A format will help you prepare for any auditon wheter it be for the particular casting director profiled or someone else you may be reading for. A quick note; not one day after reading the book I stepped into an elavator and came face to face with one of the casters profiled in the book, I'd actiually read for this person two years before but for the life of me couldn't remember her name. Then, miracle of miracles I somehow saw her face and name from the book, and was quickly able to make a proper introduction. I use the book regularly before auditons to refresh my memory as to what each casting directors' likes and dislikes are.  -Thomas Mills Senior Columnist, Backstage West Newspaper

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